在纷繁复杂的时代，我们都无法避免感受到内外的“分裂”：个体与集体、真实与虚幻、自然与技术。艺术家于皓丞以其独特的创意，用装置、影像、摄影、雕塑、声音等多重媒介，为我们提供了分裂的多维度表现与通感体验。他邀请我们进入这个跳跃的感知空间，充分感受分裂所带来的冲击与启示，直面人与世界的微妙关系和内在疏离。

《分裂》不仅揭示了我们所生活时代的复杂性，也呈现了人类如何在多重身份、文化和信仰中寻找自我的过程。于皓丞鼓励观众跨越界限、深入反思，从而回归到人类本质，探寻与世界深层意识的沟通方式。

我们在这场展览中见证“分裂”的多种面貌，但不仅仅是停留在描述一个问题，更是一次对答案的探求。究竟如何超越分裂，重新与自然、宇宙、他人和自己建立真正的连接？只有真正面对和接纳分裂，我们才能找到那个超越分裂的统一与和谐，从而找到自我与世界重新连接的可能性。

In the intricate and bustling era, we are all inevitably confronted with the sensation of "division" within and without: between the individual and the collective, the real and the illusory, nature and technology. The artist Y-Hatcher, with his unique creativity, employs a myriad of mediums - from installations, videos, photography, sculptures, to sound - to present us with this multi-dimensional portrayal and synesthetic experiences of division. He invites us to step into this oscillating realm of perception, to fully experience the jolts and revelations that come from division, and to face head-on the nuanced relationship and inherent alienation between humans and the world.

"Division" not only unravels the complexities of the era in which we live but also depicts how humanity seeks its identity amidst multiple roles, cultures, and beliefs. Y-Hatcher urges the audience to cross boundaries, to deeply reflect, and thereby return to the essence of humanity, exploring ways to communicate with the profound consciousness of the world.

In this exhibition, we witness the manifold facets of "division." Yet, it doesn't merely rest upon describing an issue; it is also a quest for answers. How, after all, do we transcend division to genuinely reconnect with nature, the cosmos, others, and ourselves? Only by truly confronting and accepting division can we discover the unity and harmony beyond it, thus unveiling the potential to reconnect ourselves with the world.

ZXX

作品介绍 ART WORKS

于皓丞的创作过程反映了他对现代世界复杂性的敏锐洞察。他的艺术探讨中，信息科技、自然与人类之间的纽带不仅仅是三者的关系，更是对现代社会构造的微观分析。

Y-Hatcher 's oeuvre exemplifies his acute perception of the intricate tapestry of the contemporary milieu. Within the ambit of his artistic discourse, the nexus among information technology, the natural realm, and humanity transcends simplistic relational dynamics, offering a nuanced deconstruction of modern societal paradigms.

在创作《深渊Abyss》时，他开始对数字信息化时代中人的位置进行思考。这不仅是对技术发展的反思，更是对人类如何在这个时代保持本质和思考能力的探索。双LED屏幕不仅仅作为信息的承载体，更是一个挑战，质问人类在信息洪流中的定位。它让观众思考：在这个数字化的世界中，我们是信息的主宰者还是被动的接受者？

In the genesis of "Abyss", he embarked on a profound introspection of the human locus within the digital epoch. This is not merely a contemplation of technological ascendency, but also a foray into the preservation of human essence and cognitive agility amidst the omnipresent digital metamorphosis. The diptych LED displays function not solely as conduits of information but emerge as an artistic provocation, interrogating humanity's anchorage in the information maelstrom. They beckon the beholder to deliberate: within this digitized realm, do we command the symphony of information or are we mere conduits in its transmission?

《Whose eyes? 谁的眼睛？》则进一步探讨了技术对人类社会结构和个体自我认知的影响。于皓丞试图通过这一作品展示技术不仅是进步的工具，而且可能是权力的象征，可能会导致人类失去真实的社交互动和深度思考的能力。

"Whose eyes?" further elucidates the ramifications of technology on sociocultural fabrications and the individuation process. Through this magnum opus, Y-Hatcher endeavors to underscore that technology, while heralded as an instrument of progress, might simultaneously epitomize hegemonic constructs, potentially obfuscating authentic interpersonal engagements and the depth of human introspection.

于皓丞对人与自然关系的描绘具有生命的纵深感。《做那向海洋回归的逆流》不仅仅是关于起源，它更像是一个诗歌，歌颂着人类与海洋之间的永恒纽带。而《钻石 Diamonds》系列和《沉-木-叙 The Narration of Silent Driftwood》中，我们会见证对自然的深度敬意，以及对时间、生命和自然的无尽思考。

Y-Hatcher's portrayal of the relationship between humanity and nature possesses a profound depth of life. "Be thalassic regressive undertow" is not merely about origins; it resonates more as a poetic ode, celebrating the eternal bond between humans and the sea. In the "Diamonds" series and "The Narration of Silent Driftwood", one witnesses a deep reverence for nature, coupled with contemplations on time, life, and the inexhaustible wonders of the natural realm.

分裂非隔断，而是连接的起点。每一次的质疑，每一次的思考，都如同浓雾中的灯塔，引导我走向未知的彼岸，但难免于碎片中迷失。我享受漂浮其中的自在，但也试图在这片海洋中寻找一个稳定的锚地，每一处已知仍存在无数的未知。这是一个永恒之旅，分裂则是我沿途的必经地，如同日夜之交的行者，走在明暗之间，寻找着平衡。

"我渴望如同曙光般的启示，使我从无尽的分裂觉醒。坚信着期望的裂变终会出现。 "

Division is not an end, but rather the genesis of connection. Each interrogation, each pondering, acts as a lighthouse within a dense mist, guiding me towards uncharted shores, albeit often getting lost amidst the fragments. I revel in the liberation of drifting within, yet concurrently seek a stable anchorage in this vast expanse. Every known aspect conceals myriad unknowns. It's an eternal odyssey, with fragmentation being a pivotal waypoint. Like a traveler at the cusp of day and night, I tread the liminal space between light and shadow, in search of equilibrium.

" I yearn for a revelation like the dawn, to awaken me from endless Division. I firmly believe that the desired Fission will eventually occur. "

— 于皓丞 Y-Hatcher

艺术家 ARTIST

于皓丞

Y-Hatcher

于皓丞 (Y-Hatcher) , 生于1998年，辽宁沈阳人， 2017-2021年就读于清华大学美术学院信息艺术系摄影专业，获学士学位，现居北京。他的创作从人类、社会再到与自然、宇宙，所涉及的话题颇为广泛。作品曾在北京、厦门、杭州、郑州、丽水、伦敦、米兰、雅典等地展出。

于皓丞的创作不受任何媒介限制，他使用装置、影像、摄影、雕塑、声音等，带领观众在感知中跳跃，进行深度反思与自我寻找。主张回归到人类本质去探索人与世界深层意识的思考和沟通方式。

Yu Haocheng（Y-Hatcher）, from Shenyang, Liaoning Province, was born in 1998, studied at the Academy of Arts & Design of Tsinghua University from 2017 to 2021, majoring in Photography within the Department of Information Art. He earned his bachelor's degree and now resides in Beijing. His artistic explorations range widely, touching upon topics from humanity and society to nature and the cosmos. His works have been exhibited in places such as Beijing, Xiamen, Hangzhou, Zhengzhou, Lishui, London, Milan, Athens.

Unbound by any medium, Y-Hatcher employs installations, videos, photography, sculpture, and sound, guiding viewers through the Leap of Sensory Experience, inviting profound introspection and self-discovery. He advocates for a return to the essence of humanity, delving into the deep-seated ways of thinking and communication between people and the world.

展览经历 PAST EXHIBITIONS：
2020年 北京   清华大学美术学院   “非器” 艺术展  
2021年 丽水   万象摄影坊   “2021丽水摄影节”
2022年 杭州   仓美术馆   野生青年艺术节 ?杭州站
2022年 厦门   三影堂摄影艺术中心   “无界”艺术展
2022年 厦门   鼓浪屿美院   “岛屿重回计划”
2022年 雅典   第18届雅典数字艺术节（ADAF）中国单元
“Looking Back to the Present”
2022年 北京   木木美术馆   野生青年艺术节 ?北京站
2022年 北京   凹凸当代艺术空间   BXQ2022实验影像周
2022年 伦敦   MP Birla Millenium Gallery   “超临界态”艺术展
2023年 米兰   HOAA   “Encounter” 艺术展 

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