晴山藝術中心自1993年成立,從早期代理俄羅斯油畫家作品,並以公開大型企劃展於台北新光三越百貨南西店,同時期與雕塑大師楊英風共同企劃展出,期間作品深獲國內藏家及新光美術館之典藏。

    在我們研究中國油畫藝術的發展過程中,俄羅斯完整而嚴謹的美術教育養成,深深影響中國的油畫藝術發展,自1952年指派國內優秀教師至聖彼德堡藝術學院再次接受俄國油畫專業養成,另外1955年由文化部邀請「馬克西莫夫」油畫家至北京,由中央美院組織「馬克西莫夫油畫研究班」,這些所培養出來根基紮實的藝術家、教授都深深影響中國油畫教育發展。

    晴山藝術中心長期代理海內外華人的藝術家，計有涂志偉＜敦煌樂舞系列＞、張文新＜自然寫實主義＞、關則駒＜芭蕾舞篇＞、黃中羊＜矛盾系列－慈禧組畫＞、區礎堅、沈古運、王琪、徐小東、袁俐等實力派畫家。

    這些畫家的作品分別為美國、日本、台灣、新加坡、加拿大、歐洲等地藏家及博物館、基金會所收藏，其作品已廣為藝術市場之肯定，並也充份代表著晴山藝術中心為藝術發展奠下盤石。
 

    雕塑家我們代理有法國的傑克李能迪1940年生,他16歲即在法國舉辦個人雕塑展,期間也受法國政府的委託訂件,欣賞傑克李能迪的雕塑是種享受,有時真不得不妒嫉他的法國血統,似乎對女人體有著與生俱來的敏感天份,讓他能巧妙的掌握人們對女性特有的浪漫憧憬和美感的追求。

    而美國雕塑家蓋瑞‧魏斯門1952年生,現為賓州藝術學院教授,他堅信雕塑品的完成,唯有藝術家親手掌握每一過程(製模、翻模、灌銅水、刨光、上色)處理皆是自己親手完成,如此才能實現藝術家的真誠。院長費得瑞克‧歐斯勃恩說道：「蓋瑞‧魏斯門無疑地將是美國『國寶』的主選人」。
 

    晴山藝術中心迄今一直以專業服務,擴展教育的態度不斷地在北、中、南舉辦企劃畫展,並擴大至新加坡參加國際性藝術博覽會。專業、品質、服務、信譽、前譫一直是晴山推動藝術的最高原則。寄望在二十一世紀,能以藝術文化感化人心,美化社會,使社會更加祥和。

    When IMAVISION Gallery was first established in 1993, we showcased the works of Russian oil painters. We also organized large exhibitions, including the exhibition held at Shin Kong Mitsukoshi Department Store in Taipei and a joint exhibition with master sculptor Yang Ying-feng. Our exhibited works were widely collected by the local collectors and Shin Kong Fine Art Museum.

    In our study of the development of Chinese oil painting, we find that the art of Chinese oil painting has been deeply influenced by the complete and rigorous art education of Russia. In 1952, China sent its outstanding teachers to the St. Petersburg Art Academy to receive schooling of Russian oil painting. In 1955, the Chinese Department of Culture invited the Maksimov oil painters to Beijing to provide instructions to students in the "Maksimov Training Class" organized by the Central Art Academy. The well-trained artists and teachers from the class have since influenced the development of Chinese oil painting education profoundly.

    The Chinese painters whose works IMAVISION Gallery carries are predominantly overseas Chinese painters. After China embarked on reform and opened its door, a group of Chinese painters with insight and vision went abroad to seek advanced education and the opportunity to show their works to the outside world. For instance, Tu Zhi-wei, born in 1951, and Huang Zhong-yang, born in 1949, were among the first batch of graduate students of Guangzhou Academy of Fine Art after the Cultural Revolution, who went to the USA and Canada respectively to receive their second master degree of art. Zhang Wen-xin (born in 1928), Ou Chu-jian, and Guan Ze-ju are also merited Chinese artists who have moved to the US and settled down abroad.

    Recently we have signed up a number of painters residing in China, including Sheng Gu-yun, Wang Chi, Xu Xia-dong, and Yuan Li.

    The Gallery also carries the works of French sculptor Jacques Le Nantec. Le Nantec, born in 1940, held his personal exhibition in France at the age of 16 and received commission from the French government. It is truly an enjoyment to watch the works of Jasques Le Nantec. Sometimes you can't help being jealous of his French blood, for he seems to have the innate sensitivity and gift for women's body that allows him to ingeniously grasp women's romantic longing and penchant for pursuit of beauty.

    American sculptor Gary Weisman, born in 1952, is currently a faculty at the Pennsylvania Academy of the Fine Arts. He firmly believes that a artist has to get his hands in every process of the sculpture making (carving, mold making, casting, polishing, and coloring) to display his earnestness. In the words of Fredericks Osborne (???), the President of the Pennsylvania Academy, Gary Weisman will undoubtedly be a major candidate for American treasure.

    Since establishment, IMAVISION Gallery has been continuously holding exhibitions across Taiwan with the aim of providing professional service and educating the public. In recent years we have extended our reach into the international markets by participating in the International Art Expo held in Singapore. Professionalism, quality, service, reputation and vision are the highest principles for promoting art. We earnestly hope that in the 21st century, art and culture can play a more active role in touching the hearts of people, and bringing more beauty and harmony to the society.