彭嶶 我在这儿－想飞 麻纸 绘画装置 53×30×22cm 2007年
彭薇新作是双重“现成品”的妙用，二者的材料均属唾手可得：包裹服装店塑料模特的宣纸在剥离后成为空荡荡的女身，因纸的质地而窈窕轻盈，遍布其上的山水、昆虫、人物，是对各种中国经典画面美丽局部的衿衿戏仿，因彩墨笔致而谐趣盎然——绘画的平面性被颠覆，同时被型塑，这些物体表层的依附性彩绘，理论上当然属于雕塑作品，观念上具有暧昧的装置意识，事实上作者仍在宣纸上画画，效果上，则绘画的观赏此时乃取决于一尊雕塑，又在雕塑的三度空间中与绘画欣然遭遇。
上一代本土画家得自普普意识的创作多少是单向思维的图式模仿，在彭薇这里则属个人游戏。艺术惟在游戏之时，才是灵动而自由的，并有所创发。世界范围的“实验艺术”在新世纪以来追求轻快的观念，以及商品般的愉悦感，摆脱作品的复杂性和严肃性，直接、单纯、好看，然而用心周密，给予当代现成品更为现成的种种机缘。彭薇的“绣履”及“锦衣”系列原已兼具中国画的古典雅趣和后现代的符号性简洁，但毕竟为国画类别所囿限，目前这批新作一举逸出传统范式，而在三度空间的装置游戏中，“国画”性质在物质化陌生化的过程中被彻底篡改，而国画的神韵竟不曾丝毫丧失，委实清新可喜。
Recommendation
By Chen Danqing
I would like to the new works of Peng Wei as “dual finished products” because the materials she used are so easy to gain, which are the rice paper used to pack the plastic model and the female mode itself, in the dress shop. That’s so slight paper on which any landscape, insect, figure, and the kind become a mockery to the classics of Chinese ink-painting, and the color use has its object gained three-dimensional attribute which is also a reverse to the traditional plane. On the surface of the object she paints with colors so we even become difficult to judge whether we should call it as painting or sculpture. Most of people like to regard it as a vague device art based on sculpture, yet the painter needs still to draw on the rice paper, and the difference is that her drawing is on the surface of a status when you appreciate, a three-dimensional space. I don’t know whether the space shift and development means profoundly or not.
Our native artists of the last generation were ever inspired much by the western POP art, as for Peng Wei it is as a game for the painter, she regards it is a linger way, Art is often inspired in the game. Worldwide “experimental art” surely make impact on the painter much, so we can see more enjoyment, slight sense rather than serious topics. From her Embroider Shoes and Silk Dress, we may see the symbol of both Chinese tradition and the simple modern symbol. We may pleasure for the fact that her works in both traditional ink-painting essence and the revolutionary three-dimensional space. That’s really fresh and gratifying.
【编辑：姚丹】
