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尤伦斯当代艺术中心近期文化教育|公众项目

来源:99艺术网专稿 2010-01-13

 

  活动类别 艺术影院 Art Cinematheque

  活动名称 法国舅舅——雅克•塔蒂电影展

  French Uncle: Jacques Tati Retrospective

  时间/地点 1月16日 – 23日︱报告厅

  January 16 – 23︱Auditorium

  合作方 法国驻华大使馆 Embassy of France

  说明 中英文字幕 Chinese and English subtitle

  票务 成人15元(含展览门票),学生凭有效学生证件10元

  15rmb for adults (with exhibition admission)

  10rmb for students with valid student ID

 

  活动简介

 

  UCCA艺术影院推出法国导演雅克•塔蒂(1907–1982)的个人作品回顾展,囊括了这位集编、导、演于一身的喜剧天才创作过的全部六部长片和罕见的三部短片。他扮演的于洛先生已成影史经典的“法国舅舅”形象:头戴毡帽、叼着烟斗,蹦蹦跳跳,与现代化生活格格不入。而塔蒂对于声音、色彩、图像等电影技术方面的探索,也成为了连接默片时代创新和新浪潮革命的力量,其独特的电影风格和幽默也影响了大批当代电影人。

 

  UCCA's retrospective of the French screenwriter, director, and actor Jacques Tati (1907–1982) presents six feature films and three rarely screened shorts. As one of cinema's greatest comedians, Tati created Monsieur Hulot, a French bohemian uncle who was often trapped in modern life. His experiments with sound, color, image, language, and technology are a fundamental bridge between the innovations in the silent era and the French New Wave, and also have had an unmistakable influence on the style and humor of many filmmakers today.

 

 

 

  排片表

 

  1月16日(周六)

  16:00 游戏时间 114分钟 中英文字幕

  19:00邮差学校 + 节日 15分钟+77分钟 中英文字幕

  1月17日(周日)

  16:00 我的舅舅 110分钟 中英文字幕

  19:00表演班 + 于洛先生的假期 27分钟+74分钟 中英文字幕

  1月19日 (周二)

  19:00 交通意外 93分钟 英文字幕

  1月20日 (周三)

  19:00小心左边 + 马戏团 12分钟+85分钟 英文字幕

  1月21日 (周四)

  16:00邮差学校 + 节日 15分钟+77分钟 英文字幕

  19:00 游戏时间 114分钟 英文字幕

  1月22日 (周五)

  16:00表演班 + 于洛先生的假期 27分钟+74分钟 英文字幕

  19:00 我的舅舅 110分钟 英文字幕

  1月23日 (周六)

  14:00 交通意外 93分钟 中英文字幕

  16:00小心左边 + 马戏团 12分钟+85分钟 中英文字幕

  Saturday, Jan. 16

  16:00 Playtime 114mins English and Chinese subtitle

  19:00 L’ecole des facteurs (School for Postmen)+ Jour de fête (Big Day) 15mins +77mins English and Chinese subtitle

  Sunday, Jan.17

  16:00 Mon Oncle (My Uncle) 110mins English and Chinese subtitle

  19:00 Cours du soir (Night Class)+ Les vacances de monsieur hilot (Monsieur Hulot's Holiday) 27mins +74 mins English and Chinese subtitle

  Tuesday, Jan.19

  19:00 Traffic 93mins English subtitle

  Wednesday, Jan.20

  19:00 Soigne ton gauche (Watch your Left! Boxer )+Parade 12mins + 85mins English subtitle

  Thursday, Jan. 21

  16:00 L’ecole des facteurs (School for Postmen)+ Jour de fête (Big Day) 15mins +77mins English subtitle

  19:00 Playtime 114mins English subtitle

  Friday, Jan.22

  16:00 Cours du soir (Night Class)+ Les vacances de monsieur hilot (Monsieur Hulot's Holiday) 27mins +74 mins English subtitle

  19:00 Mon Oncle (My Uncle) 110mins English subtitle

  Saturday, Jan.23

  14:00 Traffic 93mins English and Chinese subtitle

  16:00 Soigne ton gauche (Watch your Left! Boxer )+Parade 12mins + 85mins English and Chinese subtitle

  导演简介

 

  雅克·塔蒂(1907-1982),是电影史上最伟大的喜剧家之一。他一生完成了六部长篇电影,但就是这仅有的六部作品使他赢得了非同凡响的国际声誉,并且奠定了他在电影史上独一无二的地位。1936年,塔蒂参与剧本创作并出演了雷内·克莱芒(René Clément)的短片《小心左边》,从此开始了他作为喜剧演员和喜剧电影导演的生涯。1949年,塔蒂导演了长篇处女作《节日》,并凭借这部电影获得了当年威尼斯电影节的最佳导演奖。《节日》由黑白和彩色两个版本拍摄而成,其中彩色版本被认为是最早使用彩色胶片拍摄的法国电影。遗憾的是由于技术原因,直到1995年这个版本才得以发行。1952年,他完成了第二部电影——《于洛先生的假期》,同样获得了巨大成功。在这部电影中,塔蒂塑造了荧屏上的经典形象——于洛先生——一个头戴毡帽、叼着烟斗,蹦蹦跳跳,与现代化生活格格不入的“法国舅舅”。这个角色也成为他后来三部影片的主角。1958年拍摄的《我的舅舅》获得了戛纳电影节评委会大奖和奥斯卡最佳外语片奖,被众多评论家认为是塔蒂职业生涯的制高点。1967年,塔蒂拍摄了他最具野心的作品《游戏时间》。这部电影耗时九年完成,获得极高评价的同时,却在商业上惨败,这也成为塔蒂之后艺术创作上的巨大限制因素。1971年《交通以外》拍摄完成,这是于洛先生的谢幕影片。1973年为瑞典电视台拍摄电视电影《游行》,但遗憾的是这部影片一直都没有得到正式发行。

 

  弗朗西斯·特吕弗(François Truffaut)曾这样评价塔蒂的影片:“来自于另一个星球,在那儿他们用完全不同的方式拍电影”。塔蒂的电影建立在那些精心编制,环环相扣的视觉笑料和慎重加入其中的声音效果上。他在笛卡儿式的二元世界中创造了一整个细致策划的混乱世界,进而为观众提供了变革性的,独特的观影经验。的确,塔蒂的作品就像是一座桥梁连接默片时代巴斯特·基顿(Buster Keaton)和马克思·林德(Max Linder)的创造力和与他同时代的电影人的创作,诸如让-吕克·戈达尔(Jean-Luc Godard),玛格丽特·杜拉斯(Marguerite Duras),和罗伯特·布莱松 (Robert Bresson)。包括罗伊·安德森(Roy Andersson),韦斯·安德森(Wes Anderson),北野武(Takeshi Kitano)和西维亚·乔迈(Sylvain Chomet)等当代电影人都在电影风格和创作上受到了塔蒂巨大的影响。

 

  Jacques Tati (1907–1982) is one of the cinema’s greatest comedians. Tati has produced only six features in his entire career, which, however, help him to gain an international reputation, as well as a unique position in cinema history. Took part in many short films in the 30s, namely Tati participated the writing and acting of René Clément’s short film Soigne ton gauche (1936), Tati begun his cinematic occupation as a actor and director. In 1949, he made his first full length film Jour de fête, by which he won the Best Director at Venice Film Festival of that year. This film is shoot in both black/white, and color stocks. Moreover, the color version is considered as one of the very first French color film, which, however, only has been released in 1995 due to technical problems at that time. It is followed by his hugely successsful feature Les Vacances de Monsieur Hulot (1952). In this film, Tati has developed his screen alter ego Monsieur Hulot, who appears in four of his films among six in all. His third film, Mon Oncle (1958), won Jury prize at Cannes Film Festival and the Best Foreign Language Film in Oscar. It has been considered by critics to be the highpoint of Tati’s career. In 1967, Tati made his most ambitious project Playtime, which took him nine years to complete. It is a critical success, but a massive commercial failure. It then becomes the cruel constrain of Tati’s later artistic creation. He then finished Traffic (1971), the final bow of Monsieur Hulot. His last feature is Parade (1974), which unfortunately has never been released.

 

  François Truffaut describes Tati’s films as “come from another planet, where they make films differently”. Tati’s films are built around elaborate, tightly-choreographed visual gags and carefully integrated sound effects. He creates an entire cosmos, a meticulously choreographed chaos in a Cartesian world, providing a transformative and unique movie experiences for the audience. As it is argued, Tati bridges between the innovations of Buster Keaton and Max Linder in the tightly silent era and those of his contemporaries Jean-Luc Godard,Marguerite Duras, and Robert Bresson. He also has an enormous influence on the style and humor of many contemporary directors, such as, Roy Andersson, Wes Anderson, Takeshi Kitano and Sylvain Chomet.

  《小心左边》

 

  喜剧,短片,法国,1936,雷内·克莱芒,12 分钟,法语对白

  1月20日(周三)19:00 英文字幕

  1月23日(周六)16:00 中英文字幕

 

  《小心左边》是由雅克·塔蒂创作剧本并且参与演出的一部早期喜剧短片。在这部电影中,塔蒂充分展示了他之前在法国杂耍戏院作为哑剧演员的经验,以及青少年时期对体育的热爱。故事设定在一个法国乡下的农场中,一个拳击教练带着两名拳击运动员来到乡下为下次的比赛进行训练。年轻的农民的儿子罗吉看到他们训练之后,开始幻想成为一名拳击手。训练中,一个拳击手意外受伤,于是罗吉被推进了比赛,尽管他还对拳击一无所知……

 

  Soigne ton gauche (Watch your Left! Boxer)

  Comedy, Short, France, 1936, René Clément, 12mins, In French

  Wednesday, Jan. 20 19:00 English Subtitle

  Saturday, Jan.23 16:00 English and Chinese Subtitle

 

  This is an early short comedy written and performed by Jacques Tati. In the film, Tati presents his experiences as a mime in French music hall and a sports lover when he was an adolescent. This short is set up on a farm in rural France, a young farmer’s son Roger becomes fantasize of being a boxer when he sees a sports coach training two boxers in the countryside for a forthcoming match. One of the professional boxers is knocked out during a training bout. As a consequence, Roger is persuaded to enter the makeshift boxing ring, although he doesn't know anything about how to box…

 

  《邮差学校》

 

  喜剧,短片,法国,1947,雅克·塔蒂,15分钟,法语对白

  1月16日(周六)19:00 中英文字幕

  1月21日(周四)16:00 英文字幕

 

  一位法国乡下的邮局主管为三位高级邮递员制定了训练课程,目的是让他们提高邮递速度以不错过运送邮件的飞机。塔蒂扮演的François是课程中的明星学员,但当真的把课程运用在实践中时,却有无数的障碍阻止他完成任务……这部短片为塔蒂的处女作《节日》累积并提供了大量的素材。

 

  L’ecole des facteurs (School for Postmen)

 

  Comedy, Short, France, 1947, Jacques Tati, 15mins, In French

  Saturday, Jan.16 19:00 English and Chinese Subtitle

  Thursday, Jan 21 16:00 English Subtitle

 

  In his office, the chief postman of a French rural community puts three junior postmen through a course of intensive training. The aim is to reduce the time of their postal round so that they can catch the airmail plane on time. In the classroom, François may be the star pupil, but when he gets back to his daily round, countless obstacles prevent him from succeeding in his mission...This short provided material for Tati’s first feature, Jour de fête. However, it merits consideration as a small comic masterpiece in its own right.

 

  《表演班》

 

  短片,法国,1967,雅克·塔蒂, 27分钟,法语对白

  1月17日(周日)19:00 中英文字幕

  1月22日(周五)16:00 英文字幕

 

  塔蒂在他职业生涯的尾期制作了这部短片是一个非常明智的决定。在《表演班》中, 塔蒂给一组认真的学生上了一堂精彩的表演课,用来向学生强调表演中观察的重要性。这部短片是在《游戏时间》的场景上拍摄。表演课的主题包括模仿吸烟者、邮差、体育运动(网球、钓鱼和骑马),以及表演怎么在楼梯上绊倒等。

  Cours du soir (Night Class)

  Short, France, 1967, Jacques Tati, 27mins, In French

  Sunday, Jan.17 19:00 English and Chinese Subtitle

  Friday, Jan. 22 16:00 English Subtitle

 

  It is appropriate that Tati should make this film towards the end of his career, in which he gives an evening acting class on observation to a group of overly earnest students. It is made on the set of Playtime. The themes of the master’s classes include the Smoker, Sports (tennis, fishing and horse-riding), the Postman, and How to Trip Over Steps.

 

  《节日》

 

  喜剧,法国,1949, 雅克·塔蒂,77分钟,法语对白

  1月16日(周六)19:00 中英文字幕

  1月21日(周四)16:00 英文字幕

 

  塔蒂的第一部长篇作品,延续了《邮差学校》的很多桥段。小镇里一个装模作样,自以为是的邮差,偶然在镇上的展览会中看到了一部关于美国邮政如何进行业务高效训练的影片后大受启发,开始模仿影片,以现代化方式改革他的邮递服务,结果却把小镇生活弄成一团糟……塔蒂的现代主义精神在这部影片中得以诠释,电影充分展示了诗意的田园生活与现代生活的紧迫和急躁之间的冲突。

 

  Jour de fête (Big Day)

  Comedy, France,1949, Jacques Tati, 77mins, In French

  Saturday,Jan.16 19:00 English and Chinese Subtitle

  Thursday, Jan 21 16:00 English Subtitle

 

  This is the first masterpiece from Tati, some of the gags used in Cours du soir has been enriched and developed in this film. The story is about a bumbling, self-important postman in the countryside accidentally saw a short newsreel account of rapid transportation methods used by the United States postal system on a traveling fair. He feels inspired on the next day and decides to transform the local mail system. He goes to hilarious lengths to speed the delivery of mail while aboard his bicycle, and eventually brings a chaos to the village…Tati presents his modernist concept compellingly in this film which contrasts the lyrical rhythms of pastoral life with modern-day agitations and urgencies.

  《于洛先生的假期》

 

  喜剧,法国,1953, 雅克·塔蒂, 74分钟,法语、英语对白

  1月17日(周日)19:00 中英文字幕

  1月22日(周五)16:00 英文字幕

 

  故事情节简单到可以用一句话来概括:一个法国男人在 Brittany海滩灾难般的旅行。但就是这个简单的故事给塔蒂带来了1952年戛纳的评委会大奖,以及国际上的众多奖项。除了一贯的塔蒂式的视觉笑料,《于洛先生的假期》挑战了当时以讲故事为主的电影叙事方法。该电影在英国上映时有这样一句警告:“别去寻找故事情节,就去看看一个单纯好玩的假日。”塔蒂独特的叙事给了观众观影过程中最大的自由度。这是对于法国中产阶级反讽的刻画,但也许最重要的是,于洛先生从此亮相了!

 

  奖项:

 

  1953 路易德吕克奖

  Les Vacances de Monsieur Hulot (Monsieur Hulot's Holiday)

  Comedy, France,1953, Jacques Tati, 74mins, In French and English

  Sunday, Jan.17 19:00 English and Chinese Subtitle

  Friday, Jan. 22 16:00 English Subtitle

 

  The story of this film is simple enough to be summerized in one sentence – it is about the misadventures of a Frenchman on holiday at Brittany resort. However, this simple story was nominated the Prix de la Critique at Cannes in 1953 and a brace of awards internationally. Besides the continuous Tati style visual gags, this film challenged the entire story-telling narrative of cinema at that time. The English version of Les Vacances is preceded by a warning: "Don't look for a plot, for a holiday is meant purely for fun." Its unique narrative structure offers the audience the maxium freedom of film watching. It is ironic portray of French middle class life. Perhaps more important, Monsieur Hulot made his first appearance in this film!

 

  Awards:

  Prix Louis Delluc (1953)

  《我的舅舅》

 

  喜剧,法国/意大利,1958,雅克·塔蒂,110分钟,法语对白

  1月17日(周日)16:00 中英文字幕

  1月22日(周五)19:00 英文字幕

 

  于洛先生在他海滩假期的五年后再次现身。这次,他来到姐夫的超现代豪宅和工厂中,并且无意中把他的外甥从这个没有灵魂、沉闷而又严肃的现实生活中解放出来。《我的舅舅》荣获了当年奥斯卡最佳外语片奖和戛纳评委会大奖。Ankur Agarwal在奥斯卡颁奖典礼上说,这部影片是一个“持久不变的社会评论,关于我们现在所生活的时代,关于富人和对社会有责任感的人,关于生活中给人简单快乐的永恒方法。”影片对于非人性化的现代科技在社会和家庭中产生的影响的批判延续到塔蒂后面的两部作品《游戏时间》和《交通意外》中。

 

  奖项:

 

  奥斯卡最佳外语片奖(1958)

  戛纳电影节评委会大奖(1958)

 

  Mon Oncle (My Uncle)

  Comedy, France / Italy, 1958, Jacques Tati, 110mins, In French

  Sunday, Jan.17 16:00 English and Chinese Subtitle

  Friday, Jan.22 19:00 English Subtitle

 

  Monsieur Hulot made his appearance again five years after his vacation on the beach. This time, he is let loose in the ultramodern home of his brother-in-law, and in an antiseptic factory that manufactures plastic hose. Hulot liberates his nephew from the soulless, stifling, and regimented trappings of modern life—though purely by accident, like everything else he does. This film won the Academy Award for Best Foreign Language Film and the Jury Prize at Cannes. Ankur Agarwal says in the Academy Award ceremony that this film is “an unvarying social commentary, upon the times we live in, upon the way rich and society-conscious people live, and upon the simple ways that give you pleasure in life and that never change with time.” The satire of the dehumanising effect of technology on society and family life has been continued as a theme in later of his films, namely, Playtime and Traffic.

 

  Awards:

  Academy Award, Best Foreign Language Film(1958)

  Cannes Film Festival, Jury Prize(1958)

  《游戏时间》

 

  喜剧,法国/意大利,1967,雅克·塔蒂,114分钟,法语、英语和德语对白

  1月16日(周六)16:00 中英文字幕

  1月21日(周四)19:00 英文字幕

 

  这一次,于洛先生需要寻找一位在巴黎的美国官员,却在充满最新科技的现代建筑的“迷宫”中转向了,并混进一群美国游客中在巴黎四处游荡,而他所到之处照例麻烦不断……塔蒂在《游戏时间》中依然延续了他特有的主题,风格和叙事结构,不同的是这部电影把之前所有的元素都发展到极致。影片用70毫米的底片拍摄,大景深,长镜头,加之塔蒂为此电影的场景特别建成的“Tativille”,成就了影片的dead pan风格。这部电影是一个对于现代建筑残酷并且客观的讽刺。同时,现代建筑更隐喻着现代社会刻板严格的社会结构。

 

  Playtime

 

  Comedy, France/Italy, 1967, Jacques Tati, 114mins, In French,English and German

  Saturday, Jan.16 16:00 English and Chinese Subtitle

  Thursday, Jan 21 19:00 English Subtitle

 

  This time, Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist invasion, Hulot roams around Paris with a group of American tourists, causing chaos in his usual manner. Tati, still continued his previous unique cinematic theme, style and narrative strucuture. And in Playtime, every element has been taken into an extreme. It is shot on 70mm films, and this film is famous for its luxury setting construction named “tativilla”. Large format film, deep focus, long take and the striking mise-en-scene of “Tativille” contribute to the deadpan aesthetic of the film. It is a cruel and objective satire on the horrors of modern architecture, which can be considered as a metaphor of the rigid structures of modern society.

  《交通意外》

  喜剧,法国/意大利,1971,雅克·塔蒂,93分钟,法语,英语,荷兰语对白

  1月19日(周二)19:00 英文字幕

  1月23日(周六)14:00 中英文字幕

 

  这是于洛先生的谢幕影片。一家汽车公司为了参加阿姆斯特丹的车展沙龙,专门设计了一款独特的多功能旅行车,于洛先生是其设计者,但在他们用卡车把这台新车送往阿姆斯特丹参加展览会途中,发生了很多意外,没有汽油、交通事故……这部影片同时也是这位电影大师的最后一部剧情片作品。

 

  Traffic

 

  Comedy, France / Italy, 1971, Jacques Tati, 93mins, In French, English and Dutch

  Wednesday, Jan.19 19:00 English Subtitle

  Saturday, Jan.23 14:00 English and Chinese Subtitle

 

  In this film, Monsieur Hulot made his last appearance. He works as a designer for the motor company and designed a luxury camping car, equipped with all modern appliances, which is to be revealed at a motor show in Amsterdam. The car is loaded aboard a truck, which sets off for the show, followed by Hulot and Maria, the public relations secretary. A string of disasters strikes – the trunk breaks down, runs out of petrol, gets impounded by the customs officers, and then ends up in a multiple car crash. This is the last feature film from this cinematic master.

 

  《马戏团》

 

  喜剧,法国/瑞典,1974,雅克·塔蒂,85分钟,法语对白

  1月20日(周三)19:00 英文字幕

  1月23日(周六)16:00 中英文字幕

 

  这是一部为瑞典电视台拍摄的愉快感人的告别之作。塔蒂在这部影片中回归了自己的老本行,最流行和自由的艺术形式-马戏团。《马戏团》和塔蒂之前的五部影片区别很大。没有情节和明显的结构,更接近于纪录片的形式。这是一部非常简单的电影,用一些电影的技巧修饰了一场马戏表演。也正因为如此,这部影片给人以温暖和怀旧的感觉。

 

  Parade

 

  Comedy, France / Sweden, 1974, Jacques Tati, 85mins, In French

  Wednesday, Jan. 20 19:00 English subtitle

  Saturday, Jan.23 16:00 English and Chinese Subtitle

 

  A joyous and touching swan song, made for Swedish television, in which Jacques Tati returns to his music-hall roots by saluting that most popular and democratic of art forms: the circus. Parade differs markedly from Tati’s other five films, most notably in that it has no plot, no apparent structure and is closer in form to the style of a documentary. The film is deceptively simple, depicting a circus show with the minimum of cinematic embellishment. For all its simplicity, Parade has an inexplicable hold on the spectator; it evokes a very strong sense of warmth and good-feeling, which comes partly from a feeling of nostalgia.

 


【编辑:张瑜】

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