洪浩使用扫描仪不断扫描实物加之数字技术集合成像，形成了作品《东西》。这些洪浩自二十多年来的日常生活积累中搜罗出的琐碎杂物，拼合成了一个璀璨的小宇宙，每件东西无不纤毫毕现地闪烁、炫耀着自身的物质光彩，同时也组成一个出色的个案，印证着中国社会转型期这一时间段中普通人物质生活内容的巨大变迁。洪浩的日常态度和独特的时空观，总是默默地渗透在作品的深层。如同修炼者做日课一样，洪浩用一以贯之的严谨、机械的工作方式，日复一日地扫描着属于自己的那些熟悉的、或略显生疏的一件件渺小的物件。系列作品《东西》剔除了叙事性，看似一页页连篇累牍的、庸常的物像流水帐。随着那些平淡无奇的日常物像的不断聚合，洪浩难以被时间磨灭的个人生存痕迹从具体的事物中翩然浮现。显然，这不是一种自恋或极度恋物的结果，而是艺术家在生存状态中直呈并把握时间的方式。作品中贯注的，是一种超越自我个体的价值观和内省的人文精神。面对这些的不可替代的静态影像，观者可以重新领略曾经流逝的过往时光，激活、唤醒并感知尘封在记忆中的某些共有经验和集体无意识。
Hong Hao employs his scanner to constantly scan objects which he then digitally reworks into compositions he calls 'My Things.' The series is a mini-cosmos consisting of daily use objects that he has discovered over the last 20 years, each object beaming with realistic, materialistic lustre, things which as a whole form a unique mosaic that reflects the great changes taking place in people's daily lives amid the social changes in China today. Hong Hao's down-to-earth approach and unique view on space and time are engrained in his works. Like a religious practitioner doing his his daily duties in ritual fashion, Hong Hao rigorously and mechanically scans what would be otherwise insignificant articles, the familiar and the unfamiliar, day in day out. Discarding narrative, his series 'My Things' looks like a day-to-day account of ordinary matters. However, as such matters amass gradually, the indelible mark of Hong Hao's existence manifests itself. Far from being the product of narcissism or fetishism, 'My Things" is the artist's way of directly and, in a controlled way, representating the concept of time and existence. What permeates the series is an introspective humanism that transcends the value of one indidividual's ego. Viewing these irreplaceable static images, the viewer can relive the bygone days, and revivify some of the common experiences buried deep in his/her memory and the collective unconsciousness.
by Gu Zhenqing
【编辑：陈耀杰】
