Andy min han 《美丽的世界 Beautiful world 》2012 综合材料 Mixed Media 250x185 cm
About Art Project(首尔Seoul)
画廊：
About Art Project(首尔Seoul)
艺术家：
Andy Han，1976年出生于韩国；现生活和工作于韩国首尔（Lives and works in seoul, korea).
作品：
Andy min han 《美丽的世界 Beautiful world 》2012 综合材料 Mixed Media 250x185 cm
Oriented from energy for happiness. Fan means”the opening” and make people cool and happy. “open happiness”
《红金 FORTUNEÉ NOËL 胡同-5 Hutong-5》 2011 树脂玻璃 Plexiglas127 x 105
《红金 FORTUNEÉ NOËL 抽象-5 Abstract-5》2012 树脂玻璃 Plexiglas 115 x 115
babù泛视觉空间 （babù space 深圳 Shenzhen）
画廊介绍 Gallery Introduction：
巴布畫廊，設立於華僑城OCT藝術區北區的專業藝術機構，致力於將概念視覺與當代藝術的結合與推廣。作為此理念的承續，babu畫廊分為babu gallery與babu space兩部分， babu gallery側重於當代架上藝術的推介，而space部分則涵蓋了街頭文化，設計，裝置，影像等當代先鋒藝術的諸多方面，並積極促進國際間藝術交流。
Babu Art Co. Ltd is a professional art institution located in the North District of OCT Art Zone. It is committed to the connection and generalization of concept art and contemporary art. So it now consists of “Babu Gallery” and “Babu Space” as an inheritance of the above mentioned orientation. Babu Gallery is concerned with dissemination of contemporary art on shelf. Babu Space covers a wild range of contemporary fashionable arts like Street culture, design, installation and video, and it has been promoting the international art intercommunication.
CIGE 2012 参展艺术家 Exhibited Artists：
红金FORTUNEÉ NOËL，1975年出生于法国，现生活和工作于中国北京（Lives and works in Beijing, China）。
以色列艺术家红金在中国创作的作品以“透明”为主要特点，作品以树脂玻璃和纸为介质，通过色块上的线条表达思想。红金从2006年起画老北京的胡同。时至今日，胡同仍是其作品的重要组成部分。她的新作以金、银两色为主色调。时代的发展不可逆转，旧日的北京已在历史中湮没。用一句话概括红金的作品：精彩-无悔。
The mutations experienced by the modern urban landscapes and the concept of transparency were central in Fortunée Noël’s earliest works produced in China. Noël’s representation of unaccomplished skyscrapers and their thousand reflections were a testimony of the increasing use of transparent materials in modern architecture - a true revolution in a city like Beijing where opacity means a lot.In her new works, gold and silver pigments are dominant. The old Beijing - even though submitted to an irrepressible evolution - appears more than ever like mummified in a precious sarcophagus, summing up Noël’s last show: splendid, with no regrets.
图片说明 Caption：
《红金 FORTUNEÉ NOËL 胡同-5 Hutong-5》 2011 树脂玻璃 Plexiglas127 x 105
《红金 FORTUNEÉ NOËL 抽象-5 Abstract-5》2012 树脂玻璃 Plexiglas 115 x 115
更多艺术家信息请见www.babu-space.com
《有着丙烯酸树脂表面的作品2012.02.16 The work with acrylic resin surface 2012.02.16 》
Frantic Gallery（东京Tokyo）
画廊介绍 Gallery Introduction：
Frantic画廊由宫崎康寿先生创建于2007年，画廊建立之初名为“Frantic艺术工程”，位于紧邻东京银座的日本桥区，尽管当时与一众已有一定实力基础的日本画廊比邻，Frantic很快就明白：它与其有着相当不同的专业发展路线。Frantic倾向于能够紧握世界艺术史语境的艺术，而绝不支持任何与流行风尚与流行文化的相关联的shown art; 它更执迷于有独立视角和独立思想的艺术家们。2010年，“Frantic艺术工程”更名为Frantic画廊。显而易见，Frantic并不愿意支持那些表达当代“日本风格”或者“异国情调”的艺术，而是坚持推荐那些有着个人价值观念的艺术家们。目前，画廊有明确的展览项目策略并为Frantic艺术家们的国际认知度而不懈奋斗。
Frantic Gallery was founded by Yasunobu Miyazaki in 2007 and was originally named "art project frantic". The first "frantic" location was in Nihonbashi district of Tokyo close to Ginza area, but in spite of its proximity to conglomerate of established Japanese galleries Frantic has shortly understood that it has rather different professional path.It shows art that can be grasped in the context of world art history; in no way it supports any links of shown art with fashionable trends or popular culture; it attract artists with individual views and independent thinking. In 2010 "art project frantic" was renamed in "Frantic Gallery". It became evident that Frantic is not willing to support contemporary "japonism" or "exoticism" of presented artworks, but insist on personal values of its artists. At the moment the gallery has clear strategy for exhibition program and struggles for international recognition of Frantic Artists.
CIGE 2012 参展艺术家 Exhibited Artists：
田附楠人Cousteau Tazuke ，1982年出生于日本大阪；现生活和工作于日本（Lives and works in Tsukinode, Japan）。
田附楠人雕刻透明亚克力板，将酸性颜料注入那些已成形的孔中，然后将它们的背面展示于人。 通过这种方式，艺术家颠覆了图片中对立的正反两面——积极的与消极的：旁观者立于画面的背面通过透明丙烯酸树脂将会看到五颜六色的物质。楠人通过他对结构和拓扑二维艺术的实验提出一种完全不同的表现传统艺术的方法。他模糊了雕刻与绘画之间的界限：雕塑艺术和绘画艺术之间的界限。
Cousteau Tazuke carves into clear acrylic panels, pours acid-colored paint in the resulting cavities and then exhibits these works backwards. In this way the artist subverts the opposition of the front and the rear -- the positive and negative -- of the picture: the onlooker faces the back of the painting seeing colorful substances through transparent acrylic resin. Tazuke proposes a radically different approach to traditional fine art through his experimentation regarding the structure and topology of two-dimensional art. He erases the borderline between carving and painting: the art of sculpture and that of painting.
图片说明 Caption：
田附楠人Cousteau Tazuke 《有着丙烯酸树脂表面的作品2012.02.16 The work with acrylic resin surface 2012.02.16 》2012 丙烯酸树脂/醇酸涂料/丙烯酸涂料/木头/尿烷acrylic resin/alkyd paint/acrylic paint/wood/urethane 150x150x7 cm
Frantic Gallery 提供 Courtesy of Frantic Gallery
更多艺术家信息请见www.frantic.jp
《展台 No.Pedestal No.2》
麦勒画廊 Galerie Urs Meile （北京－卢森 Beijing-Lucerne）
画廊介绍 Gallery Introduction：
麦勒画廊成立于1992年，一直致力于在国际领域展示和传播当代艺术，涵盖绘画、雕塑、摄影、装置、行为等多种艺术创作形式。画廊在瑞士卢森和中国北京开展工作：管理中心位于瑞士，地处北京草场地艺术区的空间已成为国际收藏家、策展人以及艺术爱好者熟知的聚集场所。北京的画廊建筑由艾未未设计，六间围绕庭院建成的房屋组成了四个宽阔的展览空间，画廊创立的“艺术家驻地”项目也位居于此。画廊的艺术项目涉及来自中国、欧洲和美国等地的著名艺术家及新锐艺术家。始于上世纪九十年代中期，麦勒画廊进驻中国当代艺术界，即为较早深入探索中国当代艺术的画廊；今天，这些与画廊合作的艺术家已成为在国际高层次当代视觉艺术话语界的参与者。在过去的岁月中，画廊自始至终地支持着艾未未、邱世华、王兴伟和谢南星等一批具有影响力的中国艺术家。艺术家驻地工作室为西方艺术家提供在中国短暂工作和生活的机会，鼓励他们与中国的艺术界进行广泛接触。这些知名或新锐艺术家在项目期间都会创作一个专为北京空间实施的艺术展览项目。
Since it was founded in 1992 the Galerie Urs Meile has been internationally engaged in the presentation and dissemination of contemporary art in the media of painting, sculpture, photography, installation and performance. The gallery operates out of two locations: Lucerne (Switzerland) and Beijing (China). While the operating centre is based in Switzerland, the Beijing branch – set in the middle of the artist and gallery quarter Caochangdi – has established itself as an international meeting place for collectors, curators and aficionados of the arts. The complex designed by Ai Weiwei contains four spacious exhibition rooms within six buildings, and houses the artist-in-residence programme initiated by the gallery. The artistic programme contains established as well as up-and-coming young artists from China, Europe and the U.S.A. As one of the first galleries worldwide to do so, since its first contact in the middle of the 1990s, the Galerie Urs Meile has also been intensively involved in the Chinese art scene, whose protagonists now participate in the discourse on contemporary visual art at the highest international level. In recent years, the gallery has enduringly fostered the careers of some of the most influential Chinese artists working today, among them Ai Weiwei, Qiu Shihua, Wang Xingwei and Xie Nanxing. Within the framework of visits lasting several months, the artist-in-residence studio in Beijing offers Western artists the opportunity to work in China and forge contacts with the Chinese art scene. Within the context of this exchange programme internationally established as well as young artists present projects specifically developed for the gallery spaces in Beijing.
CIGE 2012 参展艺术家 Exhibited Artists：
李钢 Li Gang，出生于中国大理；现生活和工作于中国北京（Lives and works in Beijing, China）。
在《展台》这组作品中，我所指的展台有多重含义：一个是展示和区分艺术作品与它物的机制，一个是艺术家与观众连接的平台。在这个平台上我用纸币擦拭四面，在不毁坏纸币的情况下，让纸币在平台上留下色痕，留下一种钱的痕迹，通过对平台的反复擦拭产生最终的渐变效果。从而借助作品来描述艺术与钱的一些微妙关系——有了钱的支持艺术得以顺利实现，有了钱的标示大众对艺术的价值观会无形的被钱所左右，有了钱的诱惑会使一些创作者失去了真实的自我，两者之间的关系既明显又模糊。这就像这件作品一样，你虽然看不到钱的出现，但是钱始终还是在上面留下了痕迹。
In the work series of “Pedestal”, the pedestals that I refer to here have many meanings: it is a mechanism that displays and distinguishes between works of art and objects; and it is a platform that connects the artist with the audience. I wiped the four sides of the platform with banknotes. Without damaging the notes I left traces of colour on the surface of the platform, a trace of money. After repeatedly wiping the platform with the notes a gradated effect was produced. The work thereby helps to depict the subtle relationship between art and money — with financial support art can be made; with financial indications popular artistic values are swayed intangibly by money; the enticement of money makes some artists lose their true selves. The relation between the two is both obvious and vague. This is just like this work: although you cannot see the money, it always leaves a trace.
图片说明 Caption：
李钢 Li Gang 《展台 No.Pedestal No.2》 2011 木质展台、纸币上的浮色wooden plinth, banknote pigment 110 x 60 x 40 cm
麦勒画廊 提供 Courtesy of Galerie Urs Meile
更多艺术家信息请见www.galerieursmeile.com
《闪存#9 Flash Memory#92011》
H.T.画廊H.T.Gallery（北京 Beijing）
画廊介绍 Gallery Introduction：
H.T.画廊2009年11月成立于中国北京798艺术区，80平米精致而纯粹的白色空间，她的总监是同时享有多重身份的韩从武先生－奥美零空间策展人，2005年9月9日由他策划的奥美零空间首次展览至今韩从武先生都在不断的挑选代表着未来的艺术家，到2009年5月，“零空间”已经举办过8次展览。他同时也是一位著名摄影师和拥有独到眼光的收藏顾问，由他亲自主理的H.T.画廊一贯秉持着重艺术的精神的同时发掘并推广两岸三地的年轻艺术家，并与艺术家拥有着坚实的友好关系，合作过的艺术家包括：Unmask、郭鸿蔚、梁远苇、胡晓媛、宋琨等新生艺术家。每年在H.T.画廊将举办6场高品质展览，H.T.画廊作为一个艺术平台个性的发挥出更大的能量用于艺术家、艺术作品本身，并鼓励新形式的文化交流，H.T.画廊将发挥更大的空间可能性进行新形式的对话和发展。
H.T.Gallery was established in November 2009 in Beijing 798 Art District, the 80sqm area offers a clear and unadulterated exhibition space, the director is Mr. Han Tsungwoo, who was the curator for O Gallery of Ogilvy & Mather, from 9th Sep 2005 when he curated the first exhibition for O Gallery, Mr. Han had never ceased to discover artists that represented the future, up till May 2009, O Gallery had witnessed its 8th exhibition. Mr. Han is also a well-known photographer and Art Consultant, H.T.Gallery aims to advocate the spirit of Fine Art and at the same time, explore the works of young Chinese artists from across the straits, we enjoy excellent cooperation relationship with emerging artists/groups such as: Unmask, Guo Hongwei, Liang Yuanwei, Hu Xiaoyuan, Song Kun. Every year, H.T. Gallery will host 6 high quality exhibitions, the platform resources of H.T. Gallery will be dedicated to the artists and their artworks while encouraging new ways of cultural exchange. H.T. Gallery will dedicate its spaces to new dialogue and advancement.
CIGE 2012 参展艺术家 Exhibited Artists：
Unmask（刘展、谭天伟、匡峻，出生于中国；现生活和工作于中国北京（Lives and works in Beijing, China）。
Flash Memory系列是“半透明”作品的延续。旨在不同范畴中我们所能承载的时间和记忆。该系列沿袭了传统雕塑语言，却与以往雕塑不同的是当我们习惯性地寻找雕塑的最佳视角时，他们的作品却在各个角度发挥着空间上的最大张力。
"Flash Memory" series is the extension version of "translucent" series, to depict the time and memory that we could hold in different fields. Based on the form of traditional sculpture though, the art works are able to deliver tension force on each angle of the space, when we chronically try to find the best sight of it.
图片说明 Caption：
Unmask（刘展、谭天伟、匡峻）《闪存#9 Flash Memory#92011》不锈钢 stainless steel 180x234x98cm
H.T.画廊 提供 Courtesy of H.T.Gallery
更多艺术家信息请见www.htgallery-bj.com
《舞姬自然 Dancer in nature》
《Fiber 》
SUN Contemporary（首尔Seoul）
画廊介绍 Gallery Introduction:
Gallery SUN contemporary,founded in 2005,is an affiliate of Sun Gallery,which was founded in 1977.Gallery Sun contemporary is located in Sogyeok-dong,arecongnized center of culture and art in Seoul,Korea. Since its beginning,Gallery SUN contemporary has focused on introducing and promoting the contemporary works of international art community,and building a bridge of communication between the artists and audience. Just as postmodernism is deeply rooted in its predecessor,modernism,Gallery SUN contermporary is rooted in Sun Gallery and was established and influenced by the traditional Korean Art community. Gallery SUN Contemporary looks to bring a wide range of creative diversity and depth of contemporary art from around the world to Seoul and vice versa. Representing artists from both Korean and abroad,exhibitions have included a myriad media of modern and contemporary art:painting,sculpture,photagraphy,installtion,video art.
代理艺术家 Represented Artists:
Sun-Mi Shin, Gil-Woo Lee, Young-Mi Shin, Michael Miller, Yu-Jin Kang,Sang-Woo Koh, Ji-Hyun Jeong, Young-Wook Choi, San-Keum Koh,Changha Hwang, Gyung-Min Kim, So-Hee Cho, Sang-Hyun Lee,Vio Choe, Jun-Seok Mo, Sang-Won Lee
CIGE 2012 参展艺术家 Exhibited Artists:
Shinji Ohmaki
李吉雨Gil-Woo Lee
Vio Choi
Young-Wook Choi
Young-Mi Shin
Gyung-Min Kim
Sung-Myung Chun
Sun-Gu Ki
Changha Hwang，1969年出生于韩国；现生活和工作于美国纽约（Lives and works in New York, USA）.
While the climate of contemporary art today lie on shape, form and narrative, artist Hwang Chang-ha has persistently engrossed himself in creating works that incline towards abstraction. Hwang has been creating works that stress the formalistic qualities such as line, shape and experimental color rather than a realistic representation. The vocabulary of Hwang’s work stem from Islamic tile pattern, traditional Jewish paper cuts, Venetian lace and more are composed in uniform structures with lines and shapes to construct a unique image. Hwang states,“I am not interested in making paintings that have traditional sense of clear divisions of figure and ground. I want to make a painting monotopical rather than discursive. I am going for the objecthood of the colors in painting. "Hwang’s works demonstrate diverse colors that create abstract shapes constructing a three-dimensional space which is complex yet in order on top of a flat surfaced canvas.
图片说明 Caption:
李吉雨 Gil-Woo Lee《舞姬自然 Dancer in nature》 2009 Indian ink, soldering iron, coating on Korean paper170 X 130 cm
Changha Hwang 《Fiber 》2008 Acrylic on canvas 244x188cm
SUN Contemporary 提供（Courtesy of SUN Contemporary）
更多艺术家信息请见www.suncontemporary.com
杨柳 Li Chaoxiong《飞鸟 Flying Bird》 2011 木板丙烯 Acrylic on Wood 150x120 cm
杨柳 Li Chaoxiong《雁过留痕 Traces of Wild Goose》 2011 木板丙烯 Acrylic on Wood 100x 80cm
北京现在画廊 Beijing Art Now Gallery（北京 Beijing）
画廊介绍 Gallery Introduction：
北京现在画廊是一家经营中国当代前卫艺术的国际化专业机构，于2004年成立于北京。画廊坐落于草场地艺术区，总面积达800多平方米，展示空间为两层，设有独立的影像厅和资料库，为进一步实施实验性、国际性的展览计划、积极推介新锐艺术家及优秀作品创造了完美的空间。北京现在画廊创立之初的宗旨是“把中国现在艺术留在中国”、“把中国现在艺术留给世界”。继2004年画廊开幕展“911之后――杨少斌个展”轰动中国文化界后，画廊又多次举办了具有国内外影响力的个展和群展，并积极展开与法国Galerie Laurent Godin，德国Arndt & Partner画廊，Miroslav Tichy基金会（Foundation Tichy Ocean），小山登美夫画廊（Tomio Koyama Gallery），法国玛格画廊（Maeght Gallery）等国际知名画廊、艺术机构之间的合作。随着逐渐建立的庞大的国际交流体系、收藏和信息网络，北京现在画廊已跻身并活跃在世界舞台。北京现在画廊参加了众多国际博览会和艺术节，如西班牙ARCO 博览会、意大利博洛尼亚博览会、佛罗伦萨博览会、艺术香港博览会、北京CIGE博览会、上海SH Contemporary博览会等。此外，作为数年来首次以独立画廊资格入选"画廊项目"（ART GALLERIES）的中国本土画廊，北京现在画廊成功入选2008年第39届巴塞尔博览会。美国大都会美术馆从2008年开始悉数收藏北京现在画廊的所有出版物。
Beijing Art Now Gallery is a professional international art institute for Chinese contemporary art, which was founded in 2004 in Beijing. The Gallery located in Cao Chang Di Art district in Beijing with two floors exhibition areas of 800 square meters in total. It has individual video room. It creates the perfect exhibition space for experimental and international art exhibition, and actively promotes new artists and excellent works. One of the main initial mission of Beijing Art Now Gallery is to “support Chinese contemporary art in China”, and to “archive Chinese contemporary art in the world art history”. Following the Gallery opening exhibition of “Post 911–Yang Shaobin’s Solo Exhibition” in 2004, the gallery has continually held many domestic and internationally influential solo and group exhibitions. Beijing Art Now Gallery was actively pursued the cooperation with international art institutions, It has cooperated with German Arndt & Partner Gallery, French Galerie Laurent Godin, Foundation Tichy Ocean, Tomio Koyama Gallery, French Maeght Gallery, etc. With the process of establishing the broader international communication, information networks and collection system, Beijing Art Now Gallery has played actively in the world wide art scene. Beijing Art Now Gallery has participated numerous international art fairs and art festivals: such as ARCO Art Fair in Spain, Bologna Art Fair , Florence Art Fair in Italy, HongKong Art Fair, China International Gallery Exhibition CIGE, Art Taipei and Shanghai Contemporary Art Fair, Art Basel in Switzerland. In addition, as the first independent gallery over the years eligible for selection, "Gallery Project" (ART GALLERIES) of the local Chinese Art Gallery, Beijing Art Now Gallery was selected of 39th Basel Fair 2008. Metropolitan Museum of Art in New York has collected Beijing Art Now Gallery’s all publications from 2008.
CIGE 2012 参展艺术家 Exhibited Artists：
杨柳 Li Chaoxiong，1982年出生于中国四川；现生活和工作于中国北京（Lives and works in Beijing, China）。
渐渐抛却了对我来说略显浮夸的笔墨技法，更希望可以一点一点老老实实勾勒所看到的，所谓眼见为"实",若你把"实"看作某种意义上的"在",而不仅仅是物体在光线反射中形成的实体,那便是含着泛神论的终极观念.不过但凡有绘画经验的人会明白这几乎是一种幻想,再现并不低级,反而是绘画绝对无法做到的工作,几乎到最后,画成的画成为了头脑中想象的形象，这便是所见到所得的视觉展现。比如,如果物体不反射光线,一只鸟怎么看到眼前的事物呢?那么就让鸟的眼睛发出光线好了。我觉得这比较有趣，就这样。
Pen and ink techniques gradually throwing off a bit exaggerated for me, but hope can be a little bit honest outline can see, the so-called seeing is "real" you "real" as a sense of", and not just objects entities formed in the reflection of light, that is his mouth, the ultimate concept of pantheism, but whenever there is a painting experience, people will understand that this is almost an illusion, reproduction is not low-level, but the painting is absolutelycan not be done, almost to the last, painted paintings become the image of the mind to imagine, this is see the proceeds of the visual show. For example, if the object does not reflect light, a bird how to see things in front of it? Let the bird's eyes emit light. I think this is more interesting this way.
图片说明 Caption：
1
杨柳 Li Chaoxiong《飞鸟 Flying Bird》 2011 木板丙烯 Acrylic on Wood 150x120 cm
2
杨柳 Li Chaoxiong《雁过留痕 Traces of Wild Goose》 2011 木板丙烯 Acrylic on Wood 100x 80cm
更多艺术家信息请见www.beijingartnow.com
《千里江山奇妙 Tale of the 11th Day》
Preeyachanok Ketsuwan The an image of the installation view show the curtain embroider with the artist's hair in Poem 2011
《第13号 13＃》
当代唐人艺术中心Tang Contemporary Art Beijing （北京/曼谷/香港 Beijing/Bankok/Hongkong ）
画廊介绍Gallery Introduction ：
当代唐人艺术中心成立于2000年，致力于向世界推广和传播中国当代艺术，并在其中扮演了非常重要的角色。作为中国最具学术影响力和代表了最高展览水准的当代艺术平台之一，当代唐人艺术中心代理了王度，杨诘苍，孙原&彭禹，颜磊，林一林，刘小东等杰出的中国当代艺术家，并与里克力提拉瓦尼，阿运拉挽猜哥等知名海外艺术家有着紧密合作的关系，致力于在艺术家和艺术机构之间搭建起具有国际视野的交流对话平台。
当代唐人中心历年来以充满开拓性的展览政策在中国赢得了高度评价，并在亚洲地区建立起其特有的领先地位。鼎足北京、曼谷、香港三地的展览空间，当代唐人艺术中心专注于发现和推广中外优秀的当代艺术，并致力于促进和发展中国艺术家与世界艺术舞台之间更为深广的交流互动。
Since 2000 Tang Contemporary Art has been introducing Chinese contemporary art to Chinese and international audiences. Acting as one of the most progressive and academically driven exhibition spaces in China, Tang Contemporary Art showcases some of the most important key figures in Chinese art such as Wang Du, Yang Jiechang, Sun Yuan & Peng Yu, Yan Lei, Lin Yilin, Liu Xiaodong, as well as collaborations with international artists such as Rirkrit Tiravanija and Navin Rawanchaikul. The Center strives to initiate dialogue among artists and institutions working locally and internationally.
Over the past decade, groundbreaking exhibits have earned Tang Contemporary Art numerous and significant recognition in China, and have established its status as a leading gallery in Asia. With three locations in Beijing, Bangkok, and Hong Kong, Tang Contemporary Art is fully committed to promote local and international art, as well as encouraging the dynamics between Chinese artists and those abroad.
代理艺术家 Represented Artists:
Rirkrit Tiravanija
刘小东
王度
杨诘苍
孙原&彭禹
郑国谷
林明弘
林荫庭
颜磊
Sakarin Krue-on
林一林
Navin Rawanchaikul
凌健
何岸
蒋志
Kamin Lertchaiprasert Tawan Wattuya
Chusak Srikwan
Preeyachanok ketsuwan
CIGE 2012参展艺术家Exhibited Artists
杨诘苍 Yang Jiechang
Preeyachanok Ketsuwan，1985年出生于泰国；现生活和工作于泰国曼谷（Lives and works in Bangkok Thailand）
一段时间以来性被定义为男女之间生物性的差别，并以性别的方式来进行文化的定义并限制这些差异。女性/男性，男性/女性，女人/男人，男孩/女孩-性和性别方面的不一致同样渗透到我们的思考和谈论自己和对方的方式上。在大多数情况下，我们发现自己很容易相信那些被告诉的东西，这让我想知道这是不是不真实的？一个可能的猜测是：是否作为一个女人必然意味着“女人味”。一个可能的疑问是，为什么年轻女性常常被称为女孩，而男人却很少被称为男孩。是否一个以非老套的女性方式生活的女人就可以表明是一个坏女人？
有一个民间故事这样说：一个女人无法证明她深爱她的男人，因为她的头发没有足够的长度穿过塔的底座，而另一个传说则是女人将会如何被惩罚，如果她结婚之前爱着某个人，会导致很多问题。那究竟是谁给女人定了这些规矩？女人又被谁所控制呢？
“被占领/侵犯”的主题，“作为女人”在社会结构中的角色我们可能从未认真研究过其内在的原因。也许唯一的原因只是“作为女人”。
For some time sex has been defined as the biological difference between men and women, and gender as the manner in which culture defines and constrains these differences. Feminine/masculine, male/female, women/men, boy/girl - terms of sexual and gender division like these permeate the way we think and talk about ourselves and each other. On most occasions we found ourselves easily believe in something just the way we were told, that makes me wonder whether this ease is illusory? One may speculate whether being a woman necessarily implies being "feminine". One may question why young women are often referred to as girls, while men are seldom referred to as boys. Is living in a non-stereotypically feminine manner a reliable indication that one is a bad woman?
There is a folk story of a lady who cannot proof her profound love to her man because her hair was not long enough to stretch through the pagoda’s base, and another folklore about how a women being punished if she love someone before getting married thus led to many queries. Who assign rules to women? To whom women being Possessed?
“Possessed/Poach” examines the inquiries in “being woman” under the social-constructed role we might never seriously investigate the underling reasons. Or maybe the only reason is being woman.
刘窗Liu Chuang，1978年出生于中国湖北；现生活和工作于中国北京（Lives and works in Beijing, China）。
图片说明Caption ：
1
杨诘苍 Yang Jiechang 《千里江山奇妙 Tale of the 11th Day》 2011 绢本工笔重彩 ink and mineral colours on silk8 panels, each 148 x 232 cm, total 148 x 1856 cm.
2
Preeyachanok Ketsuwan The an image of the installation view show the curtain embroider with the artist's hair in Poem 2011
3
刘窗Liu Chuang 《第13号 13＃》 2012 木 Wood 2.6x2.6x2m
当代唐人艺术中心 提供 Courtesy of Tang Contemporary Art Beijing
更多艺术家信息请见www.tangcontemporary.com
《福尔摩斯的秘密20120412 Sherlock Holmes' Secret 20120412》
《环形铁路的冬天-3 The Winter of the Circular Railway-3 》
禾木空間 Hemuse Gallery（北京Beijing）
画廊介绍 Gallery Introduction：
禾木空间成立于2011年，是一家致力于推广中国优秀当代艺术的专业画廊。作为一家年轻的艺术机构，“禾木”将是一个开放的空间，它不仅提供给艺术家一个展示优质作品的平台，同时它也将积极关注当下艺术的发展与年轻艺术家的成长，努力架构一个当代艺术自由交流与讨论的平台。空间位于北京百子湾苹果社区国际艺术园内，比邻今日美术馆。展厅分为上下两层，面积约为200平方米。
Hemuse Gallery, established in 2011, is a professional gallery which aims to promote the finest contemporary Chinese Art. As a young art institution,the gallery is an open space which not only provides artists a platform to show their high quality works, but also cares about the development of contemporary art and young artists’ growing, the gallery is trying its best to build a platform for free exchange and discussion on contemporary art.
Hemuse Gallery, located in Beijing International Art Plaza, Baiziwan, adjacent to Today Art Museum. The exhibition hall is divided into two floors, which covers an area of about 200 square meters.
CIGE 2012 参展艺术家 Exhibited Artists：
Guest，2011年出生于中国；现生活和工作于中国北京，上海，杭州 Lives and works in China Beijing, Shanghai,Hangzhou
这是一个由5个艺术家发起的合作项目。该项目将对一个6x6米的展位进行一定的空间改造，并结合为此项目制作的几件视觉作品。让观众体会到一种观看艺术作品的“莫名状态”。
作品包括：某个雕塑，灯箱菲林片；某个雕塑，布面油画；某个人物，灯箱装置；一个活体装置（一位被打扮成福尔摩斯模样的人，定期打开他的礼服，在礼服的里面悬挂着一些奇特艺术作品）。
Sherlock Holmes's Secret is a cooperative project innovated by 5 artists. They will revision the booth which is only 6m*6m, meanwhile, they will create several visualized works, which would bring the audience sense the art works without any rhyme.
Included Works: one sculpture, lightbox with film; one sculpture, oil on canvas; some one, lightbox installation; one man-installation (One man would dress up like Holmes, he would unclasp and show the audience the wired art works inside.)
刘晓辉 Liu Xiaohui，1975年出生于中国；现生活和工作于中国北京（Lives and works in Beijing, China）。
图片说明 Caption：
1
Guest《福尔摩斯的秘密20120412 Sherlock Holmes' Secret 20120412》 2012 灯箱喷绘，菲林片装置，绘画，活动装Lightbox Printing , Films Installation, Drawing, Man-Installation
2
刘晓辉 Liu Xiaohui 《环形铁路的冬天-3 The Winter of the Circular Railway-3 》2011 木板坦培拉 Egg tempera on board, 30x40cm
禾木空間提供 Courtesy of Hemuse Gallery
更多艺术家信息请见www.hemusegallery.com
《我最好的朋友My Best Friend》
《我最好的朋友My Best Friend》
《我最好的朋友My Best Friend》
伟博画廊Wilber Gallery
CIGE 2012 参展艺术家 Exhibited Artists：
李超雄 Li Chaoxiong，1978年出生于中国中山；现生活和工作于中国广州（Lives and works in Guangzhou, China）。
创作对我来说是一个观念的建立以及表达的过程。《布达佩思》系列的创作，从线稿到文案，从编辑到完成绘本，从架上绘画到雕塑，还有将要进行的动画和音乐，我希望我的作品能呈现一种高度的完整性和真实性。
For me, creation is a process of concept establishment and way of expression. My recent creative work of Buda Pest series is an example. From the line drawing to copywriting, from editing to the completion of a whole picture book, from easel painting to sculpture, as well as the upcoming animation and music production, with all these diverse expressions, my works can be demonstrated in highly integrity and authenticity.
图片说明 Caption
李超雄 Arx LEE 《我最好的朋友My Best Friend》2011 布上油画 Oil on Canvas 150 x 120 cm
更多艺术家信息请见http://wilbergallery.com
《无舟有桨图 Scene of Paddle without Boat》
《斗艳 To Compare Beauty》
新时代画廊 New Age Gallery
杨振成 Yang Zhencheng，1984年出生于中国辽宁；现生活和工作于中国北京（Lives and works in Beijing, China）。
现代文明的铜墙铁壁是越来越坚实可信，还是越来越不堪一击？消费商品浪潮能负载自由与民主的航船吗？现代文明是改善了人类还是异化了人类？由人类主体无限膨胀而促使无限度的进行各种发明的结果，是利大于弊还是相反？
Is our fully armed modern civilization getting increasingly impregnable or
vulnerable? Will the big waves of consumption safely send our boat of freedom and democracy to the shore? Has the modern civilization improved the human race or alienated them? Do the benefits of inventions born of man's overconfidence outweigh its risks? Or vice versa?
图片说明 Caption
杨振成 Yang Zhencheng《斗艳 To Compare Beauty》2011布面油画 Oil on canvas 200x180 cm
那危 Na Wei，1982年出生于中国辽宁；现生活和工作于中国北京（Lives and works in Beijing, China）。
那危作品中混合了多种绘画风格，将信息时代中的平面美学精致地呈献给观者。因为混合，他的作品中充满了传统意义上绘画语言和逻辑上的矛盾，但是在美学的角度这些矛盾又有机地统一，形成新的意义和价值。
As a blending of different pictorial styles, Na Wei's works exquisitely deliver to the viewers the planar aesthetics in the information age. Also, the blending leads to a lot of conflicts between the pictorial language and logic in the traditional sense, which, however, leads to new significance and value by forming a harmonious unity in the perspective of aesthetics
那危 Na Wei《无舟有桨图 Scene of Paddle without Boat》2010布面油画 Oil on canvas 170x150cmx3pcs
更多艺术家信息请见www.newageartgallery.com
陈蔚Chen Wei《 审虫记-贝克 Shells 》
陈卓 Chen Zhuo《双子之一 Gemini No.1 》
杨画廊 Gallery Yang（北京 Beijing）
画廊介绍 Gallery Introduction：
杨画廊是北京首家并也是最大一家入驻三里屯地Village北区的纯艺类画廊。杨画廊的进入，开启了中国画廊界的全新形态。暨一种将画廊界进而艺术市场提升至更加城市化、商业化、高端化的全新面貌与姿态。并以自身的实际行动与迅猛发展宣告画廊界进入一个全新高阶的里程性阶段，这种演变是一场必然的画廊发展历程，从而由此将当代艺术真实普及化，将艺术区概念逐渐模糊化，将传统商业提升至艺术化。正如杨画廊的总经理杨洋女士所说：“在大时代下，当代艺术应该停止孤芳自赏而走向民众，而民众也应该树立审美的自信和自觉。我们在这里开始，可以摆脱过去传统艺术区的思维定式，让杨画廊可以着手探索更加符合民族需求的艺术道路，同时也探索中国艺术市场的发展的新道路。
Gallery Yang is the first as well as the largest fine arts institution founded in Sanlitun Village.The entering of this gallery opens a new situation of Chinese gallery field. It makes the gallery market even the whole art market proceed to a more urbanised, commercialized and high-end form. This process is an inevitable evolution, inducing the people to be more close to contemporary arts, breaking the definition of what is an art district, and raising traditional commerce to art. As the CEO of the gallery said: ”Under the macroscopic background of our time, contemporary art should stop its self-admiration, and come down to the people. In the same way, people shall be more confident of art admiration and approach art affairs more consciously. The place we start makes it possible to free us from mode of thinking in the traditional art district, and to explore a more Chinese and more commercialize way for the development of art market.
CIGE 2012 参展艺术家 Exhibited Artists：
陈蔚Chen Wei ，1980年出生于中国四川自贡；现生活和工作于中国重庆 （Lives and works in Chongqing, China）。
陈卓 Chen Zhuo，1986年出生于中国北京；现生活和工作于中国北京（ Lives and works in Beijing, China）。
图片说明 Caption：
1
陈蔚Chen Wei《 审虫记-贝克 Shells 》2011纸上水彩 Watercolor on Paper 62.5x82.5 cm
2
陈卓 Chen Zhuo《双子之一 Gemini No.1 》2012木板油画 Oil on Wooden Panel 45x45x2 cm
杨画廊 提供 Courtesy of Gallery Yang
更多艺术家信息请见www.galleryyang.com
黎薇 Li Wei《英雄–合唱团Hero - Chorus 》
黎薇 Li Wei《英雄–合唱团Hero - Chorus 》
郑真蓉 Jinyong Jeong《燃烧的声音 201202 Sound in Burn 201202》
郑真蓉 Jinyong Jeong《天堂 1103 Paradise 1103》
孙原 & 彭禹 Sun Yuan & Peng Yu 《等待Waiting》
艺术ISSUE ART ISSUE Projects（北京 Beijing)
画廊介绍：
继韩之演艺术管理公司之后，2007年韩之演当代空间正式成立于北京草场地艺术区，凭借着卓越的艺术理念和品质高尚的展览迅速成为北京最有影响力的画廊之一。2009年4月，秉持着更高的艺术追求和理想，韩之演当代空间正式更名为“艺术ISSUE Projects”，之后我们将与《艺术ISSUE》杂志紧密配合，以全新的计划推广形式推动中国乃至整个亚洲的当代艺术发展，为确立和巩固其在全世界的艺术地位而努力。同时我们将引介世界其他地区和国家的当代艺术来到中国，艺术ISSUE Projects将成为世界艺术交流的平台，为全世界各个国家和地区的艺术提供一个展示交流的舞台。
Established in 2007 in Caochangdi, HAN JI YUN Contemporary Space has quickly emerged as one of the most influential art galleries in Beijing through its well-conceived exhibitions. In April 2009, in an effort to reach new artistic heights, HAN JI YUN Contemporary Space will change its name to ART ISSUE PROJECTS to closely affiliate with Art Issue magazine. Through the establishment of this cooperation, the exhibition space and magazine will jointly promote contemporary art in China and internationally. ART ISSUE PROJECTS will serve as a platform for the exchange of global dialogue on art by introducing artists from all areas of the world to China.
CIGE 2012参展艺术家：
孙原 & 彭禹 Sun Yuan & Peng Yu
彭弘智 Hung-Chih PENG
黎薇 Li Wei，1981年出生于中国北京；现生活和工作于中国北京（Lives and works in Beijing, China）。
艺术家所想表达的不是 “人” 的表情，而是一种“非人”的存在状态；种种直抵人心的“拟人”表现甚至让人感觉残酷难忍。这种华丽与残疾并存的现实似乎表明这就是当前人类身处的世界，是超脱个人的集体意识，也是我们面临的时代特质。
The artist is not trying to express the expressions of “human beings,” but the nonhuman states of being. This kind of “personification” is so astonishing, even cruel, touching people’s heart deeply. This reality with magnificent and deformity coexist seems is the world which human beings live, the collective consciousness surpassing every individual consciousness, and the predominant zeitgeist we are facing now.
郑真蓉 Jinyong Jeong，1972年出生于韩国全州；现生活和工作于中国、韩国、北京、首尔（Lives and works in Beijing, Seoul China, South Korea）。
郑真蓉将丙烯颜料、水粉、玻璃珠等材料融合于自己的作品中，创作出一种独特的艺术语言表达。玻璃珠膜在照明效果下，演绎出多层次的视觉效果，继而幻化成一种奇特的距离感强烈地吸引观者，仿佛体验了一场时空旅行。
Jeong Jinyong conducts many experiments to perfectly combine the materials such as acrylic, gouache and glass bead in his works. He creates the unique expression methodology with art language. The glass bead filmed on the surface of the works generates multi-level visual effect under lighting. The magic light-reflection effect create a fascinating feeling of distance and guides the viewer to experienced a time travel.
图片说明：
1
黎薇 Li Wei《英雄–合唱团Hero - Chorus 》2010 综合实物装置 comprehensive material installation 真人大小儿童14个 14 real person size children
2
郑真蓉 Jinyong Jeong《燃烧的声音 201202 Sound in Burn 201202》 2012 布面混合丙烯、水粉、玻璃珠acrylic gouache & crystal bead on canvas 140 x 140 cm
3
郑真蓉 Jinyong Jeong《天堂 1103 Paradise 1103》 2011 布面混合丙烯、水粉、玻璃珠 acrylic gouache & crystal bead on canvas 112 x 162 cm
4
孙原 & 彭禹 Sun Yuan & Peng Yu 《等待Waiting》 2006 玻璃钢、矽胶、羽毛Fiberglass, silica gel, feathers 120 x 80 x 150 cm
艺术ISSUE 提供 Courtesy of ART ISSUE PROJECTS
更多CIGE 2012 信息请见http://www.art-issue.com
【编辑：陈耀杰】
