彭建忠笔下的人物总是身处幽暗的背景，有一双大大的眼睛，凄惶、惊惧，让人无所适从。在年青一代画家中，彭建忠与众不同的地方，就是他对于精神性的注重。其作品充满心理体验，萦绕着悲戚的情绪氛围。这是失落后的找寻和找寻后的失落，也许在生活中，这种精神真实为娱乐、嬉戏的的图像所掩盖所淹没，但当我们对人的价值有所期待时，痛苦就会不可避免地浮上心头。彭建忠敢于直面这种痛苦，殊异的造型、闪见的光影、粗砺的笔触，形成了彭建忠的独特视角，给人以思考的启发和启发的震动。The characters under Peng Jianzhong’s paintbrush always in the dark backgrounds, and each one of them has a pair of big eyes, which are so terrified, frightened and make people feel at loose ends. Among the young generation of painters, what makes Peng Jianzhong different from others is that his attention to the spirit. Peng’s works are full of psychological experiences and there is a kind of sorrowful emotion atmosphere lingers over them. This is the search after the losing and the losing after the search. Maybe in the life, this reality of spirit has been immerged by the images of entertainment and merriment. But when we have certain expectation on the value of human beings, the distress will inevitably emerge in our hearts. Peng Jianzhong dares to directly face this kind of distress, the unique features, flickering light and crude brushworks form the special angle of view of Peng Jianzhong, which provides people with enlightenment of consideration and shake of enlightenment.
——王林Wang Lin
彭建忠的油画把视觉反应引向心理深度，幽暗的背景、萧索的人像，还有那双被艺术家有意放大的眼睛，令人心悸地传达出青年人的困惑、失落与凄惶。谁说青年一代拒绝痛苦，只不过他们不愿意把痛苦简单地归结给谁谁谁的历史责任。当人在痛苦中不能自拔时，值得质疑的正是自我本身。Peng Jianzhong’s Paintings led the vision to the depth of mentality. The dark backgrounds, bleak and chilly portraits, and the pair of eyes enlarged by the artist intentionally express the puzzling, losing and terrify of the youth. Who said the young generation rejects the distress? Only they are not willing to simply blame the distress on the historical responsibility of somebody. When the people can not disengage from the distress, who should be oppugned is the ego itself.
——王林Wang Lin
彭建忠的作品则带着一种不寻常的冷峻和严肃，这应该属于一种超验性的视角。他就喜欢为自己的作品营造一个空洞，压抑的整体氛围。画面主角常以惊怖、受伤的眼神凝视观众，而其内心极力挣扎的力量仿佛能将整个画面撕破。同时他又喜欢在这里面加入很多个人幻想的元素，飞刀、彩虹、月光，从而使那些青春期的自我图像具备了一种集体意识。Peng Jianzhong’s works have a kind of unusual cold and seriousness, which should belong to a kind of angle of view of super experience. He is found of creating an empty and depressive atmosphere. The leading actors of the menus often gazing at spectators with frightened and injured eyes, and it seems that the strength tries it best to struggle in their hearts is able to tear the whole menu. Meanwhile, the artist is found of adding a lot of factors of personal imagination, such as flying knifes, rainbows, moonlight and so on, so as to have made the images of ego in its adolescence bear a kind of collective consciousness.
——宁佳Ning Jia
【编辑：霍春常】
